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The Japanese paper has got almost an infinite number of variations. It is smooth and coarse, shiny and matt, transparent or thick. It can be dyed, decorated and used for instance in design. The technology of paper making in Japan has been on the highest level for several hundreds of years. Both Rembrandt, as well as Picasso appreciated the quali...
The Japanese paper has got almost an infinite number of variations. It is smooth and coarse, shiny and matt, transparent or thick. It can be dyed, decorated and used for instance in design. The technology of paper making in Japan has been on the highest level for several hundreds of years. Both Rembrandt, as well as Picasso appreciated the quality and properties offered by washi. How can anyone resist such richness of textures and colours?
A brush of the White Bear series - noribake. A thin bristle (app. 3 mm) allows obtaining a precise edge, which renders possible the application of glue also in the form of a fine line. dimensions: lenght x width x depth 17,5 x 14,5 x 0,3 cm.
Siromashi Kozo – a handmade paper, made of kozo, gampi and linen fibres.
Mizutama – a decorative fishnet-like paper. Patterns resemble lace and are created by falling drops of water.
Nadebake brush. A professional brush used to smoothen the surface. Stiff bristle allows to press paper against base and to remove wrinkles at the same time.
Siromashi Dosa – a handmade paper, made of kozo, gampi fibres and flax. It obtains special properties thanks to a single additive - dosa.
Kumohada Mashi – a handmade paper, produced from kozo and linen fibres with an addition of gampi and mitsumata.